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02-Oct-2017 16:18 by 10 Comments

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While high technology and theology contend respectively with the other aspects of the relic, determination of its origin and place in history is an archaeological issue.The cloth is an unprovenanced artifact purporting to be associated with events in recorded history and encoded with considerable information about its past.

Considerations of the Shroud have frequently been marred by an intense desire to believe and an imprecise use of data among the overzealous and by an insistence on impossible standards of proof among the skeptics.Clearly, authenticity should be judged on criteria no more and no less stringent than those applied in the usual identification of ancient city sites, royal tombs, manuscripts, etc. Amidst burn marks, patches, water stains, and creases, the frontal and dorsal images of a male body may be discerned, with apparent blood flows at the wrists, right side (in the positive), head, and feet. Enrie, 1933; © 1935, 1963 by the Holy Shroud Guild.Scientific scrutiny of the Shroud image began in 1900 at the Sorbonne. Carleton Coon (quoted in Wilcox 193) describes the man as "of a physical type found in modern times among Sephardic Jews and noble Arabs." Curto (quoted in Sox 19, 131), however, describes the physiognomy as more Iranian than Semitic.From its first recorded exhibition in France in 1357, this cloth has been the object of mass veneration, on the one hand, and scorn from a number of learned clerics and freethinkers, on the other.Appearing as it did in an age of unparalleled relic-mongering and forgery and, if genuine, lacking documentation of its whereabouts for 1,300 years, the Shroud would certainly have long ago been consigned to the ranks of spurious relics (along with several other shrouds with similar claims) were it not for the extraordinary image it bears.Under the direction of Yves Delage, professor of comparative anatomy, a study was undertaken of the physiology and pathology of the apparent body imprint and of the possible manner of its formation. The body is well proportioned and muscular, with no observable defects.

The image was found to be anatomically flawless down to minor details: the characteristic features of rigor mortis, wounds, and blood flows provided conclusive evidence to the anatomists that the image was formed by direct or indirect contact with a corpse, not painted onto the cloth or scorched thereon by a hot statue (two of the current theories). Death had occurred several hours before the deposition of the corpse, which was laid out on half of the Shroud, the other half then being drawn over the head to cover the body.Modern technology served as a catalyst to renewed controversy when the Shroud was first photographed, during a rare exhibition in 1898.Black-and-white photography had the fortuitous effect of considerably heightening the contrast of the image, thus bringing out details not readily discernible to the naked eye.or it is one of the most ingenious, most unbelievably clever, products of the human mind and hand on record.It is one or the other; there is no middle ground." However, as in almost every complex issue, there is indeed a middle ground (albeit rather weak) in this case, but it has not to my knowledge been investigated in other writings on the Shroud.Wilson 1978, Sox 1981, Schwalbe and Rogers 1982), I address the question of authenticity in historical/archaeological terms.

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    Aus diesem Grund bleibt der AIT-Architektur Salon Köln bis zum neuen Jahr vorübergehend geschlossen.